Blu Ray Movies

You know you're going to get a different kind of superhero when you cast Robert Downey Jr. in the lead role. And Iron Man is different, in welcome ways. Cleverly updated from Marvel Comics' longstanding series, Iron Man puts billionaire industrialist Tony Stark (that's Downey) in the path of some Middle Eastern terrorists; in a brilliantly paced section, Stark invents an indestructible suit that allows him to escape. If the rest of the movie never quit hits that precise rhythm again, it nevertheless offers plenty of pleasure, as the renewed Stark swears off his past as a weapons manufacturer, develops his new Iron Man suit, and puzzles both his business partner (Jeff Bridges in great form) and executive assistant (Gwyneth Paltrow). Director Jon Favreau geeks out in fun ways with the hardware, but never lets it overpower the movie, and there's always a goofy one-liner or a slapstick pratfall around to break the tension. As for Downey, he doesn't get to jitterbug around too much in his improv way, but he brings enough of his unpredictable personality to keep the thing fresh. And listen up, hardcore Marvel mavens: even if you know the Stan Lee cameo is coming, you won't be able to guess it until it's on the screen. It all builds to a splendid final scene, with a concluding line delivery by Downey that just feels absolutely right. --Robert Horton Stills from Iron Man (Click for larger image) Suit up for action with Robert Downey Jr. in the ultimate adventure movie you've been waiting for, Iron Man! When jet-setting genius-industrialist Tony Stark is captured in enemy territory, he builds a high-tech suit of armor to escape. Now, he's on a mission to save the world as a hero who's built, not born, to be unlike any other. Co-starring Gwyneth Paltrow, Terrence Howard and Jeff Bridges, it's a fantastic, high-flying journey that is "hugely entertaining" (Joe Morgenstern, The Wall Street Journal).

Soundstage captures a radiant Stevie Nicks in her first filmed solo performance since 1987. Dont miss a second as one of the most prolific and influential women in rock music shares poignant memories and performs songs from her comprehensive career, including an epic rendition of Edge of Seventeen, the rarely played Sara, and an amazing cover of Led Zeppelins Rock and Roll. Special guest Vanessa Carlton also joins Stevie on stage for two duets.

The original cowriter and director of Fear and Loathing in Las Vegas was Alex Cox, whose earlier film Sid and Nancy suggests that Cox could have been a perfect match in filming Hunter S. Thompson's psychotropic masterpiece of "gonzo" journalism. Unfortunately Cox departed due to the usual "creative differences," and this ill-fated adaptation was thrust upon Terry Gilliam, whose formidable gifts as a visionary filmmaker were squandered on the seemingly unfilmable elements of Thompson's ether-fogged narrative. The result is a one-joke movie without the joke--an endless series of repetitive scenes involving rampant substance abuse and the hallucinogenic fallout of a road trip that's run crazily out of control. Johnny Depp plays Thompson's alter ego, "gonzo" journalist Raoul Duke, and Benicio Del Toro is his sidekick and so-called lawyer Dr. Gonzo. During the course of a trip to Las Vegas to cover a motorcycle race, they ingest a veritable chemistry set of drugs, and Gilliam does his best to show us the hallucinatory state of their zonked-out minds. This allows for some dazzling imagery and the rampant humor of stumbling buffoons, and the mumbling performances of Depp and Del Toro wholeheartedly embrace the tripped-out, paranoid lunacy of Thompson's celebrated book. But over two hours of this insanity tends to grate on the nerves--like being the only sober guest at a party full of drunken idiots. So while Gilliam's film may achieve some modest cult status over the years, it's only because Fear and Loathing is best enjoyed by those who are just as stoned as the characters in the movie. --Jeff Shannon

essential video"Sentries have come in from the hill, sir.... They report Zulus to the southeast. Thousands of them." One of the best pure action movies ever made, this rousing adventure recounts the true story of a small 18th-century regiment of British troops (including a very blue-blooded turn by a young Michael Caine) endlessly besieged by an seemingly unceasing number of fierce attackers. Although the basic premise has since been executed with more technical skill and panache (most notably by Aliens and Michael Mann's The Last of the Mohicans), it's unlikely that anything will ever top the utter spectacle and, above all, sheer unbelievable size of the combat scenes that almost wholly comprise the last half of this film. A gloriously exhilarating essential for anyone looking to get lost in the heat of cinematic battle, topped off with a healthy dose of gallows humor. Not to be missed. Richard Burton voiced the stirring narration. Zulu was followed by a slightly dry but still recommended prequel, Zulu Dawn. --Andrew Wright

Review David O. Selznick wanted Gone with the Wind to be somehow more than a movie, a film that would broaden the very idea of what a film could be and do and look like. In many respects he got what he worked so hard to achieve in this 1939 epic (and all-time box-office champ in terms of tickets sold), and in some respects he fell far short of the goal. While the first half of this Civil War drama is taut and suspenseful and nostalgic, the second is ramshackle and arbitrary. But there's no question that the film is an enormous achievement in terms of its every resource--art direction, color, sound, cinematography--being pushed to new limits for the greater glory of telling an American story as fully as possible. Vivien Leigh is still magnificently narcissistic, Olivia de Havilland angelic and lovely, Leslie Howard reckless and aristocratic. As for Clark Gable: we're talking one of the most vital, masculine performances ever committed to film. --Tom Keogh